The ridiculous – combat
Last time I talked in glowing terms about BloodNet’s adventure game elements, particularly its world and its characters. Unfortunately, the same cannot be said for its combat. The elements are there for it to work – it’s pseudo-turn based, there’s a range of different mercs for hire, there’s different damage types and lots of different weapons. There’s even vampire powers.
- there are grenades, but no way to effectively equip them;
- you can place and maneuver your team, but it’s largely irrelevant because there’s no cover mechanics or, aside from melee weapons, range limitations;
- there’s hit locations (left/right legs and arms, torso and head) but you can’t cripple limbs so they don’t do anything;
- there’s a range of damage types, but they all function much the same except that weapons of type A are weak against armour of type A. And you can’t change weapons/armour during combat, so you can’t really strategise around this;
- anything that hits is either basically irrelevant (you can’t die from a limb hit) or an insta-kill (if it hits a head or torso). So combat often boils down to “who hits a head/torso first”;
- there are a wide range of weapons, but nothing is better than the starting sawn-off shotgun;
- you can get fancy cyber-weapons, but see above comment re: sawn-off shotgun;
- you can jury-rig weapons, items and armour, but see above comment re: sawn-off shotgun; and
- people miss. A lot.
You first “drop” the coffin, then “use” the dirt. This brought back memories of early point-and-click adventure puzzles, and not in a good way.
I enjoyed BloodNet. It revels in its supernatural-cyberpunk aesthetic in a way that simply could not be done today unironically, and it nails that aesthetic even better than, say, Syndicate.
In fact I preferred this game to Syndicate. BloodNet’s best is better than Syndicate’s best (which I found to be a rapidly-monotonous click-fest), and you could set Syndicate anywhere really, but BloodNet is inextricably linked to its own little world.
- there’s references to a side-quest to get an item (a praxis wireless cyberdeck) that doesn’t exist. You even find the plans to the item but can’t make it;
- one of the quest rewards is information about how to beat security drones, but you can only beat that request after you mostly finish with the security drones;
- it’s easy to “zombie” this game by killing a plot-central character or losing an essential item without knowing it. This was more common in 1993 than today (hello Sierra) but it was annoying then as now;
- there’s a CD-version complete with (bad) voice acting. If you turn it on, then the game no longer tells you the names of the characters, which is a problem; and
- the name of one of the designers is misspelled. It’s “Laura Kampo” not “Laura Kambo”.
Recommended for: Lovers of 90s cyberpunk, adventure game enthusiasts.
A. Typo in the credits list. Laura Kampo, and I designed the game and wrote the dialogue.
A. Lawrence was the EP for Microprose. Our company, Paragon Software, had distributed our games through Microprose for a few years before Microprose purchased Paragon. We later separated from MP and formed Take2. Over lunch at an Oliver Garden, Lawrence suggested that our next game be about cyberpunk vampires. It was a great idea. Lawrence was always great to work with and supportive of our team.
A. I didn’t even know what cyberpunk was after Lawrence made the suggestion. I deliberately avoided reading any of the novels so as to not be derivative. Working on the game left me with a great passion, though, for all things cyberpunk. It all seemed so new at the time. And so we followed up Bloodnet with Hell and Ripper, feeling we had said all there was for us to say about Vampires.
Q. If you can forgive me for asking, did something weird happen during the game’s development? I ask because the “adventure game” aspects feel quite polished…but the RPG elements feel rushed…Is there a reason?
A. As you note, the game was kind of a hybrid adventure game / RPG. We jettisoned the RPG elements once we got to Hell and Ripper. I think those games suffer from the lack of it. Though, as you note, the combat system isn’t perfect. The game wasn’t rushed, but our deadlines were always tight.
Q. Was there supposed to be a sequel? A company called Megalo Music claims to have written the music for it, but otherwise there’s no mention of it (it was supposedly called “Bloodnet 2000”).
A. I don’t think the sequel was ever meaningfully worked on. I certainly would have objected to a title like Bloodnet 2000. Especially since Bloodnet was set well into the future past 2000!
A. We were all really proud of Bloodnet. The team was dedicated and great to work with. It was well reviewed and sold well by the standards of the time. It remains one of my favorite things to have worked on.
Release date: 1993
Purchase date: Approx 1996
Platform: For me, PC via GOG. Also available on Amiga
Time spent: Approx 28hrs (finished)
Developer: Paragon Software
Lead Designers: John Antinori and Laura Kampo
Final comment: A fun 90s genre-piece with unfortunately clunky combat and UI